Piano
Pianist Conor Hanick is regarded as one of his generation’s most inquisitive interpreters of music new and old whose “technical refinement, color, crispness and wondrous variety of articulation benefit works by any master” (The New York Times). Hanick has worked with conductors Esa-Pekka Salonen, Ludovic Morlot, Alan Gilbert, and David Robertson; collaborated with the San Francisco Symphony, Seattle Symphony, Phoenix Symphony, Alabama Symphony, Orchestra Iowa, Boston Modern Orchestra Project, Juilliard Orchestra; and been presented by the Gilmore Festival, New York Philharmonic, Elbphilharmonie, De Singel, Centre Pompidou, Cal Performances, Philadelphia Chamber Music Society, Park Avenue Armory, and the Ojai Festival, where in 2022 with AMOC* (American Modern Opera Company) he served as the festival’s artistic director and where in 2026 he’ll be a featured artist under director Esa-Pekka Salonen.
A fierce advocate for the music of today, Hanick has premiered over 200 pieces and collaborated with composers ranging from Pierre Boulez, Kaija Saariaho, and Steve Reich, to the leading composers of his generation, including Nico Muhly, Caroline Shaw, Tyshawn Sorey, Marcos Balter, and Samuel Carl Adams, whose piano concerto, No Such Spring, he premiered in 2023 with Salonen and the San Francisco Symphony.
Hanick is the director of Solo Piano at the Music Academy of the West and serves on the faculty of The Juilliard School, the CUNY Graduate Center and Mannes College at The New School. He is a graduate of the Juilliard School and lives with his family in the Hudson Valley.